This CICERONE paper (D4.3) is part of series addressing the problem of the lack of data available to describe the Cultural and Creative Sector (CCS) production system. This series explains how and why the currently available data is insufficient in its depth, and breadth of...
This CICERONE paper (D4.2) addresses the problem of the lack of data available to describe the Cultural and Creative Sector (CCS) production system. It explains how and why the currently available data is insufficient in its depth, and breadth of coverage, leading to an appreciation...
CICERONE partner KEA finished the fourth in a series of WP3-related CICERONE papers which explores whether and to what extent the existing European, national and regional policy frameworks concerning cultural industries (and the wider economy) are appropriate for addressing the challenges of new and emergent...
Based upon the project's qualitative fieldwork data, CICERONE-researchers Prof. Robert Kloosterman and Milja Vriesema, both affiliated to the Center for Urban Studies of the University of Amsterdam, published an open access article in the Creative Industries Journal in which they unraveled, in line with CICERONE's...
One of the aims of the CICERONE project is to understand the (global) organisation of production in the cultural and creative industries. Due to the pandemic, it has become abundantly clear that this organisation is far from static. In the fashion industry, the COVID-19 crisis...
In February 2020, nobody could possibly imagine how much our lives would change from that point onwards, and in how many different ways. At that time we were travelling to our Horizon2020 CICERONE consortium meeting in Barcelona to meet with our project partners from all...
CICERONE-members Thomas Borén and Dominic Power (both from Stockholm University) have finished the third in a series of WP3-related CICERONE papers which explores whether and to what extent the existing European, national and regional policy frameworks concerning cultural industries (and the wider economy) are appropriate...
Culture and the cultural and creative industries are among the most affected sectors in Bulgaria at the national level in the last months of the crisis caused by COVID-19. As early as March 8, 2020, cultural institutions were closed and cultural events were canceled indefinitely....
Looking into the life-threatening consequences that the virus is having on the cultural sector – on its workers, businesses and cultural diversity – it seems impossible to find a possible bright side of the corona pandemic on the European cultural ecosystem. However, in the face...
It’s an ill wind that blows nobody any good as the saying goes. Although the CCIs have been hit very hard on the whole, the Covid-19 situation has benefited some in one way or another, either consciously or accidentally. Simon Uyterlinde just graduated from a Dutch...